Roman Turzi is a musician and a 30-year-old compositor, native to Versailles, accompanied on stage by his Oven Organs. He took out a mini-album (" Made Under Authority ") in 2005 and a called album A, in 2007, both to Record Makers, already. In was a dense, methodical, homogeneous disc, a kind d album - programme, of general introduction which everything in

time paid tribute to past and tore along towards future. He announced emergence d a new French mind-expanding stage which NME described then of psych new, in sense where she drew inspiration from classics of its kind, rather coming from rock, but immersed herself in parallel in electronic musics. The disc also goes out to the United States, and the group plays besides famous Texan convention South by Southwest. He also opens last year for Simian Mobile Disco music during their English tour. The French and foreign press is unanimous facing the severe but magnetic psych d lisme practiced by Turzi and the band. Arthur Rambo, the bass player, mounting with Roman Turzi the quality-label Paneuropean recordings.

For B, Turzi wanted to make an a little more capricious, more unpredictable disc, and to decline intentions of A in numerous versions by keeping the same line in terms of speech and of approach, and in numerous places, since every piece has the name of a metropolis beginning with the letter B.

Where In resembled a collection of instantaneous sound, of grabbed performances such which, B were conceived in two distinct stages: a quick and instinctive recording, accomplished in Corsican of the South, in the autarky of an insulated home, then completely delayed under construction in the course of the production, assured in Paris by Erwan Quinio and Turzi itself in its studio of the Point Eph m re.

For additional production and sound mixing, he called Max Heyes, engineer of the sound generally carried on a sound atmospheric rock (Primal Scream, Ocean Colour Scene, Paul Weller, The Doves), to harmonise of the best possible the very exuberant side of the disc. Heyes is reputed for the excessive usage (english!) of the distortion: crests are pushed at the farthest to get a very frontal sound. Result is convincing: they sail of a sound very compressed, very direct, in much more aired, more ample zones, of a heavy and conquering rock (the piece of opening, " Beijing "), in disturbing repetitive electronic beaches, in the sound very live and vintage (" Brazilia "), by way of meditations drone rock indianisantes ("Bombay) (").

Two distinguished guests light the album of their characteristic voices: Bobby Gillespie de Primal Scream sings uprising as at the time of his 20 years on "Baltimore", tube indie-dance on 2010 mixed by mythical pair Max Heyes / Brendan Lynch, while l irreplaceable muse hippy Brigitte Fontaine recites messianic words on tribal and urban "Bamako".

Stamped by plates kraut and cheval glass of which he was one of the originators, Turzi honours therefore with B the descendants d a continental though exotic psych d lisme, close to Can, in the concept, and recalling as well, in the sound, Black Sabbath and Pink Floyd as Drexciya or coguaranteed minimum wage disco music. The cities which punctuate him must be taken as possible climates, space fancies. As in the habit, Turzi will treat on the concerts, called this time Turzi plays B . Projections Google Earth will follow the way covered by l album, for a modern and perfect trip.